Wednesday Links – Book Covers

I haven’t done a links post recently, because honestly I haven’t had much to say, but I ran across a cascade of interesting links yesterday all relating to book covers and font choices, and I wanted to preserve them here.

Let’s start with this two-part series by author James A. West on the importance of book covers, Part One and Part Two. He talks about his own process in creating book covers, and gives useful advice for handling cover design in Photoshop. He uses his own covers are examples, and his designs are straightforward but effective, to my mind, and represent his books well.

Scarlett Rugers offers an even more in-depth look at cover design, with a (so-far) 14-chapter series on design. I’m still working my way through the materials, but she starts out by talking about how to find a designer, then goes into details of creating covers and other steps in the self-publishing process. Chapter 8 is especially useful, telling you Five Things That Shouldn’t Be On Your Cover. This series is well worth the time to read thoroughly.

Finally, some notes on fonts. In an earlier lifetime, I was a phototypesetter at a small design shop in Tucson. I’ve loved fonts ever since, and that is an obsession I share with a lot of people. If you’re one of them, you’ll enjoy The Cracked Guide to Fonts, bonfx on 23 Really Bad Font Choices and on 19 fonts most preferred by graphic designers. All the bonfx articles are particularly useful because they describe why one font works better than another, or is inappropriate for enhancing a given design.

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Fortunes, from yesterday

fortunes

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More data from Kevin McLaughlin

Kevin has new graphs out, this time using the Top 100 bestseller data, and this time he expanded his work to both the science fiction and fantasy genres. It’s very interesting stuff and he makes great points about pricing potential, especially in the fantasy field.

While Kevin has been contrasting traditionally published pricing vs. self-published, I’ve been going over the same lists and sorting along the lines of books in KDP Select and books not in Select. It’s something of a proxy for the same concept, but I’m more interested in Select than I am in the trade vs. indie battles. I’ll have more to say about that next week.

Still, it’s great to see that in both of these two genres, on Amazon and for ebooks, self-publishers now constitute a majority of the books on the list. That’s a huge change, and a heartening one.

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Self-published books dominate Amazon Top 200 SciFi ebooks

I found this study via a Tweet by David Gaughran. In the post, Kevin McLaughlin presents some data he pulled together from the Feb. 26, 2012 list of Top 200 ebooks on Amazon, in the Science Fiction genre. He carefully determined which ones were self-published and which were published by traditional publishing houses (not just the Big Six). Here’s how he explains his choices.

Analysis and data are from the top 200 bestselling science fiction ebooks on Amazon, February 26th 2012. EVERY attempt was made to ensure the data was as accurate as possible. Publishing companies owned by the author were counted as self publishing. Publishing companies which publish any submitted book for a fee were likewise counted as self publishing (there was one case of an Outskirts book). Publishing companies which in any way vet incoming books or have a submission process were counted as traditional publishers (couple of cases of Piers Anthony books by Premier Digital Publishing, for example). Whenever a question existed whether a publisher was trad or indie, I counted it as trad.

Please note that this is a limited data set, from one retailer (albeit a dominant one), about one genre of fiction.

His findings astonished me. 72% of the Top 25 best sellers most popular were self-published ebooks. 77% of the Top 200 best sellers most popular were self-published. I put his figures into a spreadsheet so that I could see them charted. This is what it looks like.

Top 200 SciFi ebooks on Amazon 2/26/2012

You can see that he also sorted by price point. I’ve simplified his labeling a bit, since (for example) $1.49 was actually $1.49-1.50 and $4.99 was actually $4.95-4.99. You can view his original categories at the post linked above. But the visual here is striking. Self-published ebooks are now the vast majority of best sellers the most popular in the science fiction genre, and most of them sell for $6 and under. A bare film of traditionally published ebooks inhabit the higher price points, and I assume those are mostly the best-known authors. Kevin’s analysis of what’s happening price-wise for self-published authors is well worth reading, and makes a lot of sense to me.

I believe we’re seeing a trend which will continue of self published authors starting at those [lower price] points, then gradually moving prices up as they acquire more readership and audience. More books, more years of work in learning the craft, and more readers will enable writers to boost prices and therefore profit more from each sale.

The world is changing, and these numbers show the change.

Edited to add: In talking with folks on the Kindleboards, it became clear that these numbers were not from the official Top Sellers list, but rather from the more volatile (but still interesting) list sorted by popularity. That includes free download information as well as sales, and because a lot of indies use Kindle Select to gain visibility, they’ll be more prominent on this list than on the Top 100 Sellers list. At least for now :)

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KDP Select

Like a lot of self-published authors, I am trying an experiment for Last Night in Amazon’s KDP Select Program. Since sales have been bouncing around the floor, and all the downloads I get elsewhere are freebies, I figure I’ve got nothing to lose. I currently have a three-day free download period going on, exclusively at Amazon. I’ll report back on results as they happen.

My main priority right now is still to get more work done, though that is being slowed by various life activities that are taking up my time. But soon, I swear!

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Resources for Self-Publishers

I’ve revamped my page of Resources for Self-Publishers. I add links whenever I find something valuable, but I’ve revamped the structure entirely and I think it is more useful now. I find it useful anyway, and I hope you will too. Writers who are publishing on their own face a lot of work and, often, a huge learning curve. This page links to a variety of tools and services that can help you accomplish your goals as a writer and publisher.

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Sales update (and info on Smashwords)

Turns out I didn’t understand how to read the Smashwords dashboard. The 144 free downloads for Last Night were downloads directly from Smashwords, but a chart on a separate page shows another 193 downloads through the Smashwords premium program. For some reason they were all downloads from the Sony ebook store, and they were remarkably steady over the few months the story was available there, from Sept. through Dec.

So, to update my figures in the previous post, there were 337 free downloads of the story, and with the five paid sales, a total of 342 potential readers. Still no cash for me, but I’m glad the Kindleboards authors helped me understand how to read the SW dashboard!

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2011 Results

Last year I took my first steps into self-publishing, uploading one short story and then adding two re-vamped public domain farm and garden books. Though I felt the expected rush of joy when I made my story available to the world, I was well aware that one short story isn’t enough to hang a writing career on. Last Night happened to be the one relatively polished story I could find, since I’m not sure what I did with the other dozen stories I’ve written over the years, and my one finished novel is also missing (I still believe they are all in one of those boxes in that pile of boxes over there, on the other side of my office. Perhaps I will find them someday.)

So even though I wrote Last Night twenty years ago, I went ahead and used it for my ebook guinea pig. At the time I promised myself I’d keep a public record of how my publishing efforts were going. So here are the full results for 2011. My results haven’t been particularly great so far, but I am certain I’ve made the correct choice in deciding to self-publish my work. I will publish more stories in 2012, new work all, and continue writing the novel I began last summer. That said, here are the numbers.

Last Night, available May 2011 and ongoing: 5 sales on Amazon (all on the US site), 0 on B&N, and 144 free downloads on Smashwords, for a total of 149. Note: This number is incomplete. Please see my update on reading the Smashwords dashboard.

200 Eggs, available from the end of July 2011 and ongoing: 3 sales on Amazon, 1 on B&N, for a total of 4.

Cassell’s, Vol. 1, available December 2011 and ongoing: no sales yet.

Total royalties for the year: $7.18, so not enough to even get a payment so far.

Some notes on my efforts this year: I did nearly zero marketing. I am not a known name, don’t have previously published works (Last Night was actually my first story that was nearly published, back in 1991, and that’s a story I might tell some day. It wasn’t a great experience.) Neither my own name or the name of my story is particularly recognizable. I did send the story for one review, and that review was good if not outstanding. And I started this web site and a Facebook page to showcase my work going forward.

Mostly though, I am not focused on marketing this story because I know what I need to do now is simply write more, not worry over this particular effort. And so in one sense it’s not a success story so far, but on the other hand it really is. It’s a success for me, because I had given up on publishing, since I found the traditional process to be both discouraging and inhumane. Now I’m writing again, and plan to publish more, and I am clearly on the path that’s right for me.

I’m very lucky in that my husband and friends are all very supportive of my efforts here. I want to thank everyone, known and unknown, who has been so encouraging this year. I hope to do even better going forward, and continue to entertain you all.

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Clary Books Facebook Page

Cassell's Volume 1I’ve started up a Facebook page for news from the CB site. It’s a new page without much content, but I’ll build it up over time.

If you happen to see this note, and you have a Facebook account, would you drop by the page and hit the “like” button? Once I get 25 likes, I can customize the URL, which would make access easier.

I’m not particularly good at the promotional part of this business, as much as I love the publishing part. I still get all awkward and twitchy when I get a nice email about my work, or if someone complements me in public. But I generally like Facebook, and a business page seemed like a logical next step, so there it is!

Update: Thanks to everyone for the support! Clary now has a new, shorter, URL.

And in writing news: I’m working on a ghost story. I have a lot of different works in progress, but another short story seemed like the best piece to start with. I’m actually planning a series of five ghost stories, to be combined into a single book, but I’m starting out with Lori, Lorelei, a story of a young woman who discovers new things about herself when she encounters a spirit with its own secrets. So far, it’s fun to work on. More soon.

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Phew!

Okay, the links are live, and everything on the site is updated. On to the next project. I’m currently trying to find a stack of old fiction manuscripts that I want to review. I think there’s at least one story that is viable from that bunch, and that’s what I’d like to publish next. There’s a novel mss. in there too, that probably isn’t viable, but I’m very fond of it since it’s the first novel I ever wrote. I know they’re in one of those boxes in that big pile on the other side of my office… maybe that one… or that one… hmm, this might take a while.

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